Oh yes! As promised here is the sixth version of this fantastic pattern. This one was made using the second quilted bedspread purchased from Amazon in a size 12 for my sister.
Although we now have the same print jacket there are some slight differences (in addition to the fact that Catherine’s is a lot smaller). I used fabric from my stash to make the binding and the patch pockets are bound in the same fabric as the outer.
I had prepared part of the jacket prior to the Sprat & Winkle Quilters sewing day held at the Weyhill Fairground hall and was able to complete the construction by lunchtime! The second part of the day was spent on the patchwork block set by Lizzie plus some lovely chat with the other ladies at the Sewing Day.
I know that I will be making yet another of these jackets so will by then have made a MAGNIFICENT SEVEN!
Having previously made 4 versions of the Tamarack jacket I felt confident in making yet another for myself to be followed by a matching one for my sister.
I chose a couple of single-size quilted bedspreads from Amazon which provide fast and easy access to pre-quilted fabric for these projects.
Once I had cut out the main pieces, I unpicked the binding from the rest of quilt to use on the jacket.
The outer pockets, sleeve hems, neckline and all the internal seams are finished with the the binding which makes for a very coordinated look. I even made an additional internal pocket to store my mobile phone or even to wear the jacket inside out. Fan-tas-tic!
I am now in the process of making another jacket for my sister’s birthday and using a second quilt so that we can be matchy, matchy!
Back in March of 2022 I was seduced by the print on this polyester suiting fabric from Minerva and ordered sufficient to make a Sorrento jacket by Sew Over It. At the same time I ordered some spot printed satin to make a lining as per the instructions by Sian of Kittenish Behaviour. Total cost inclusive of post and packing was around £25.
I have made two versions of the Sorrento before so am familiar with the construction and have refined the fit to suit me best. Alterations to the pattern based on findings of the toile version were to reduce the length of bodice by 1 inch and reduce length of sleeves by 1½ inches. I think that maybe I shall add ½ inch back to the length of the sleeves but otherwise the fit based on a 20 at shoulders grading back to a 22 at the waistband is fine.
Once I had cut out the pattern pieces from the Oriental print polyester suiting I found that it was rather lightweight. I interlined each piece with some lightweight fusible interfacing bought from Maggie Stewart on eBay. I also fused interfacing to the satin lining fabric of the undercollar, pocket bags, pocket flaps and bias continuous strips for the sleeve plackets. Both fabrics were inclined to fray so the outer was double top stitched on all seams and the satin lining seam allowances were trimmed with pinking shears.
As the print is so busy I completed the top stitching using the standard weight Black thread, stitch length 3.0mm. There are over 100 steps to constructing this jacket not including the additional steps involved for the lining. Although I prepared the button tabs ready for attaching to the hem band, I have not added them as I feel that there is already quite enough pattern! I used more of the Black buttons from my bulk purchase – they are working out to be a really good buy!
I last made a lined Sorrento jacket at the Sewcial Retreat run by Purple Stitches in March 2022. I may be starting a tradition of making a Sorrento in March each year. This pattern is particularly well drafted. All the notches line up and using a 1cm seam allowance means that the pattern goes together really well.
It has taken roughly 8 hours to complete the jacket – so I am getting quicker at making this great garment. It has been a joy to sew this latest version and I look forward to really standing out in the crowd when I wear this BOLD jacket!
Hot on the heels of the wearable ‘muslin’ version of the Tamarack jacket I decided to make a second version, again using a pre-quilted fabric.
This time the fabric was originally a quilted bedspread bought from Dunelm during their pre Christmas sale along with a king size duvet cover set that will be used for wearable ‘muslins’ later in the year. I particularly liked the ‘vintage’ denim blue colour and the quilted design of stars. This blue bedspread is crafted from 100% polyester for a durable finish and is machine washable for easy care. 150cm x 200cm (59″ x 79″) for sale at £35.00
Changes: As before I added the small dart to the front armscye. I used the curve of the bedspread as the front hem edges of the jacket and cut the remaining hemline straight. I reduced the width of the sleeves from the elbow to wrist. I had thought that I would hack the close-fitting round neck into a V-neckline but in the end decided against it.
I cut some of the contrast fabric into 2 inch wide bias strips but also used some for the label backing and lining the patch pockets.
As I wanted a really neat finish to the insides, all raw edges were neatened using the Hong Kong finish except the sleeve seams which were bound completely as I may wish to turn back the cuffs.
The neckline was also bound in the contrast binding so that and the pocket tops are the only contrast that you can see from the outside. I hesitated for a while regarding the front closure but decided to utilise some of the Pink buttons from my stash.
Although it may seem like a lot of work this jacket did not take particularly long to make due mostly to the fact that it was already quilted! I am very pleased with the end result and can’t wait to wear my new jacket!
I have had the original pattern in sizes 0-18 for this quilted jacket a very long time! It has always been my plan to make a version to replace an original quilted jacket bought from Orvis which now sadly is too small.
According to the website the Tamarack jacket was designed with the transitional seasons in mind, it is a warm and stylish quilted coat perfect for spring and fall layering. Follow one of the two quilting designs included, or design your own to make your Tamarack totally original to you! You’ll stay toasty thanks to the inner layer of cotton or wool batting, while the roomy welt pockets will keep your belongings safe and your hands warm.
As it is a long time since the size 18 would fit, my first task was to grade out to a 22, even up the hem so that the back length is the same as the front. I reduced the bodice length by 2 inches and the length of the sleeves by 1¼ inches. Next I had located some pre-quilted and lined jersey fabric bought by weight from Abakhan Fabrics at least 13 years ago. This is really making from my stash with a vengeance!
I basted the cut out pieces together and discovered that as per usual the shoulders were too wide so reduced them by ½ inch grading back to the armscye notches. In order to remove the gaping at the armhole I needed a small dart from the armscye to my bust apex. These were quickly completed and I moved on to the welt pockets. It is a long time since I constructed welt pockets so the instructions from Grainline were invaluable, as was the youtube video sewalong.
I had to wait for the delivery of the gingham fabric that I had chosen for all the bias binding so now was a good time to take a break. The gingham fabric which was sold as linen-look cotton was a little disappointing. A very loose weave so I do not think the fabric was top quality but it would serve on this first wearable toile.
The instructions for making the welt pockets were comprehensive and apart from the fact that sometimes I was stitching through 3 layers of quilted fabric (i.e. two outers plus wadding fill for each layer) the construction was straightforward.
I decided to neaten the raw edges of the pocket bags and along the top of the internal welt seam with the contrast binding.
The next step was to overlock all the edges that would not be covered by the bias binding. Once that was done I completed the remainder of the construction.
I applied a small ‘facing’ with my personal maker’s label to the centre back along with a hanging loop. The bias binding was stitched right sides together before hand slip stitching to the reverse and finished with top stitching from the right side. I made 5 buttonholes and used some neutral-coloured buttons from my stash.
Completed Trial Version of the TAMARACK
Conclusion: I love this jacket and will definitely be making another. There are a few changes for the next iteration. I will lengthen the sleeves back to just ½ inch shorter than the pattern. Next time I will curve the front edges, may well change to a rounded V-neckline and apply poppers rather than buttons and buttonholes. If I decide to repeat the welt pockets then I will apply a lining to the front bodice pieces to conceal all the ‘workings’ and pocket bags.
Having already made a toile using ‘landfill’ fabric I was now ready to make another Sorrento jacket and this time it would be lined. Alterations to the pattern based on findings of the toile version: reduce length of the bodice by 1 inch. Reduce length of sleeves by 1½ inches.
Taking a note of Sian of Kittenish Behaviour’s vlog where she made her Sorrento jacket 2 sizes smaller than the measurements chart suggest, I have downsized from the original 22. I cut as size 20 at shoulders grading back to a 22 at the waistline. I shall wait and see how this works out before I ‘gung ho!’ and downsize to an 18/20 with a new length of floral printed suiting.
Also following Sian’s vlog I drafted a pattern for the lining by combining the various panels, overlapping at the seams to remove the seam allowances of 1 cm. For the main part this was fairly straightforward although I did find some difficulty with the shaping that is included in the panels.
I cut out the jacket from just 1.5 metres of Gold/Mustard stretch denim that I bought from Hot Pink Habberdashery. The lining was cut from this fabulous cotton lawn print purchased some time ago from Minerva.
In anticipation of the Sewcial Retreat organised by Purple Stitches, I prepared as much of the straight sewing of the various panels, pockets, pocket flaps,waistband tabs and the lining as possible including the continuous lap placket in the sleeves.
I wound several bobbins in the Terracotta thread and ensured that I had sufficient top stitching thread for all that was going to be required.
As I have made the jacket before I familiar with the various processes and continued with the construction with confidence. This pattern has been excellently drafted. All the notches match up and it is a joy to sew.
Rather than use metal ‘jeans’ buttons, this time I decided to use some ‘Bone’ coloured buttons from my stash. Also where appropriate, I used the keyhole buttonhole style e.g. the pocket flaps, the waistband tabs and cuffs of the sleeves. On checking the illustrations I noted that the buttonholes on the front bodice should be horizontal but due to the width of the front bands and as I don’t intend to do up the jacket, I worked the buttonholes vertically.
I estimate that the construction of this jacket takes me about 12 hours of concentrated sewing. Although at times I became a little overwhelmed with the project, vowing that I will not make another, by the end of the afternoon I had a completed Sorrento jacket of which I am very proud.
Project #16 completed 12th March 2022
p.s. I have now ordered some fantastic bold printed suiting to make a version for the Winter!
I have a Blue RTW denim jacket in my wardrobe but would really like another in a different colour. Enter Sorrento by Sew Over It. The jacket is part of the Summer Dreaming e-book released last year and is described thus;
The quintessential denim jacket, Sorrento is a classic piece in anyone’s wardrobe. Designed to pair beautifully with the other styles in this summer sewing pattern collection, the Sorrento Jacket is the perfect throw-on when the evenings turn chilly. Sorrento features everything you’d expect from a denim jacket including a front and back yoke, chest pockets, collar, cuffs, and waistband tabs – all finished with double lines of immaculate topstitching. With tonnes of classic details and a clever construction, Sorrento is an enjoyable, hugely rewarding project that you’ll love for years to come.
As I am currently losing weight I was not sure which size to make so would definitely need to make a ‘practice’ garment to check not only the sizing but also the various techniques involved in this type of garment. I elected to make a 22 across the bust and grade to a 24 at the hips. The only modification was to shorten the sleeves by 1½ inches as I know that I have short arms!
For fabric I raided my stash and came up with this charming heavyweight furnishing linen named Cockerel by Vanessa Arbuthnot. The fabric is gash roll ends from the printing factory and was originally intended to be landfill, but by a circuitous route it found its way to my bag-making stash. I added some Red printed cotton offcuts from my scrap bag for undercollar, lining the yoke, lining the pocket flaps, the pocket bags and placket bias strip bindings.
Although it was late at night I was determined to cut out the jacket so it was only in the hard light of day that I discovered I had cut some pieces on the straight grain and some on the cross grain. Still I powered ahead as I thought ”this is only a practice garment”.
The pattern instructions are excellent as they order the work in such a way as to minimise the number of times you have to change the needle and thread(s) from Jeans (for construction) to Topstitching. I also found that every single notch marking married up with its counterpart and that helped to make the sewing very speedy.
Conclusion: I enjoyed the whole process with a possible exception of installing the metal ‘jeans’ buttons. I had not used this type before and although they are OK, I am not convinced that I will use them on my ‘proper’ jacket. This jacket is oversized on me which will be useful for wearing over chunky knits in the colder months. However, I will be sizing down by at least one size so the next iteration will be a 20 at the shoulders and bust, grading to 22 at the hips. I will keep the sleeves at their reduced length as they turned out ‘just right’. I think that I will shorten the length of the jacket as this one comes to the high hip and I would prefer it to be on or only just below my natural waist.
I cut into the fabulous Mustard Boiled Wool that I bought from
Rosenberg & Sons at Festival of Quilts thought it would be best
to re-visit Simplicity #4032 to ensure that it would fit and that the
alterations made previously on this version (made several years ago
and since sold on eBay) were still appropriate.
However, when I tracked down the envelope I was disappointed to find that some of the pattern pieces were missing. What to do? I decided to try Kwik Sew #K4701 using some ‘wool tweed’ that was leftover from Christmas Gift projects made in 2015.
I cut an XL, shortened the sleeves by 4 inches (next time only need to shorten by 3 inches) and shortened the body length by 4 inches.
I used my favourite technique for ‘boiled wool’ jackets and coats. For this method I straight stitch before overlocking the edges. For the piece that is to go underneath I straight stitch 1¼ inches from the raw edge before overlocking the raw edge, for the top piece, I overlock close to the 5/8ths stitching line. I then placed the top piece over the underpiece matching the pre-stitched seamlines before stitching through all layers. This method gives a neat, flat finish with all edges clean finished with the overlocker. I overlocked the entire outer edges of the jacket and skipped the addition of any pockets.
now have a neat classically styled jacket to wear with dresses,
skirts and jeans.
completed this wearable toile – next time I will cut as a size L at
the shoulders and chest before grading out to XL for the bust, waist
and hips. I will re-shape the lapel slightly and maybe adjust my
‘boiled wool’ seaming technique. Next time all seams will be straight
stitched at 5/8ths before overlocking close to that stitching and
this way it will reduce the bulk at the seams.
As promised, here are my Top Twenty Makes from last year. With the exception of the Ultimate Travel Bag that I made to take as Cabin luggage on my flight to the Caribbean, I am pretty sure that I will be repeating all these garments using fabric from my stash. So watch this space!